After joining the artista search "Starstruck" in 2003, Katrina Halili's career was on the rise when she took on villain roles and became a sex symbol. Like Wilma, Helen is also dealing with her own personal life. BY EMI APRIL MUSIC, INC. (ASCAP), PRODUCED BY AMANDA GHOST, DAVE MCCRACKEN AND IAN DENCH FOR GHOST PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC, RECORDED BY MARCOS TOVAR AND JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NYMIXED BY MARK “SPIKE” STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA, YOU’RE EVERYTHING I THOUGHT YOU NEVER WEREAND NOTHING LIKE I THOUGHT YOU COULD HAVE BEENBUT STILL YOU LIVE INSIDE OF ME SO TELL ME HOW IS THATYOU’RE THE ONLY ONE I WISH I COULD FORGETTHE ONLY ONE I LOVE TO NOT FORGIVE AND THOUGH YOU BREAK MY HEARTYOU’RE THE ONLY ONE AND THOUGH THERE ARE TIMES WHEN I HATE YOU ‘CAUSE I CAN’T ERASE THE TIMES THAT YOU HURT ME AND PUT TEARS ON MY FACE AND EVEN NOW WHILE I HATE YOU IT PAINS ME TO SAY I KNOW I’LL BE THERE AT THE END OF THE DAY, I DON’T WANNA BE WITHOUT YOU BABEI DON’T WANT A BROKEN HEARTDON’T WANNA TAKE A BREATH WITHOUT YOU BABEI DON’T WANNA PLAY THAT PARTI KNOW THAT I LOVE YOU BUT LET ME JUST SAY I DON’T WANNA LOVE YOU IN NO KINDA WAYNO NOI DON’T WANT A BROKEN HEARTAND I DON’T WANNA PLAY THE BROKEN HEARTED GIRLNO NONO BROKEN-HEARTED GIRLI’M NO BROKEN-HEARTED GIRL, THERE’S SOMETHING THAT I FEEL I NEED TO SAYUP ‘TIL NOW I’VE ALWAYS BEEN AFRAIDTHAT YOU WOULD NEVER COME AROUND AND STILL I WANNA PUT THIS OUTYOU SAY YOU GOT THE MOST RESPECT FOR ME BUT SOMETIMES I FEEL YOUR NOT DESERVING OF ME AND STILL YOU’RE IN MY HEARTBUT YOU’RE THE ONLY ONE, AND YES THERE ARE TIMES WHEN I HATE YOU BUT I DON’T COMPLAIN‘CAUSE I’VE BEEN AFRAID THAT YOU WOULD WALK AWAYOH BUT NOW I DON’T HATE YOU I’M HAPPY TO SAYTHAT I WILL BE THERE AT THE END OF THE DAY, I DON’T WANNA BE WITHOUT YOU BABEI DON’T WANT A BROKEN HEARTDON’T WANNA TAKE A BREATH WITHOUT YOU BABEI DON’T WANNA PLAY THAT PARTI KNOW THAT I LOVE YOU BUT LET ME JUST SAY I DON’T WANNA LOVE YOU IN NO KINDA WAYNO NOI DON’T WANT A BROKEN HEARTAND I DON’T WANNA PLAY THE BROKEN HEARTED GIRLNO NONO BROKEN-HEARTED GIRL, NOW I’M AT A PLACE I THOUGHT I’D NEVER BE (OOH)I’M LIVING IN A WORLD THAT ALL ABOUT YOU AND ME (YEAH) AIN’T GOTTA BE AFRAID MY BROKEN HEART IS FREETO SPREAD MY WINGS AND FLY AWAYAWAY WITH YOUYEAH YEAH YEAH, I DON’T WANNA BE WITHOUT MY BABYI DON’T WANT A BROKEN HEARTDON’T WANNA TAKE A BREATH WITHOUT MY BABYI DON’T WANNA PLAY THAT PARTI KNOW THAT I LOVE YOU BUT LET ME JUST SAY I DON’T WANNA LOVE YOU IN NO KINDA WAYNO NOI DON’T WANT A BROKEN HEARTI DON’T WANNA PLAY THE BROKEN HEARTED GIRLNO NONO BROKEN-HEARTED GIRL, BROKEN-HEARTED GIRL NO NO NO BROKEN-HEARTED GIRLNO BROKEN-HEARTED GIRL, WRITTEN BY KENNETH “BABYFACE” EDMONDS, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, BEYONCÉ KNOWLESPUBLISHED BY SONGS OF UNIVERSAL, INC ON BEHALF OF FAZE 2 MUSIC (BMI), SONY/ATV TUNES LLC (ASCAP) ON BEHALF OF SONY ATV MUSIC PUBLISHING UK (PRS), EMI APRIL MUSIC, INC. ON BEHALF OF EMI MUSIC PUBLISHING LTD. (ASCAP), B-DAY PUBLISHING ADMIN. In order to continue the life that she's been dreaming of, a simple life with the man she loves and children who strengthens her, she puts this past behind. RECORDED BY JIM CARUANA AT SONY STUDIOS, NYCADDITIONAL RECORDING AT THE HIT FACTORY CRITERIA, MIAMIMIXED BY SCOTT KIEKLAK AT THE HIT FACTORY CRITERIA, MIAMIASSISTANT MIX ENGINEER: DEMACIO “DEMO” CASTELLON, YOU'VE GOT MEYOU’VE GOT MEYOU'VE GOT MEYOU’VE GOT ME SPEECHLESS, WHERE YOU BEEN LATELYWAITED FOR YOU ALL DAYWAITING FOR YOU TO USE THE KEYTHAT OPENS MY PLACE, MY HEART STARTS TREMBLINGAS I HEAR YOUR FOOTSTEPS PACELOCK OPENED, DOORKNOB TURNEDTHERE APPEARS YOUR FACE, GOING OUT MY HEAD I THINK I’M LOSING ALL MY MINDDRIVE ME CRAZY, BURNING CANDLES, MAKING LOVE ALL NIGHTFEEL SO STRANGE, IT FEELS SO CRAZY TO BE IN YOUR WORLDIN YOUR ARMS, LOST FOR WORDS, YOU'VE GOT ME, YOU'VE GOT ME, YOU'VE GOT MEYOU'VE GOT ME, YOU'VE GOT MEYOU’VE GOT ME, YOU’VE GOT MEYOU’VE GOT MESPEECHLESS, LAYING SO CLOSELYI FEEL YOUR SKIN RUBBING AND TOUCHING MEONLY SWEAT BETWEEN USFEELING YOU KISSING AND PLEASING ME, I RUB YOUR BACKI KISS YOUR NECKI KNOW THAT YOU LOVE WHEN WE TOUCH LIKE THATI CAN FEEL YOU NEED MEFEEL SO GOOD TO ME, FEEL SO GOOD TO ME, GOING OUT MY HEAD I THINK I’M LOSING ALL MY MINDDRIVE ME CRAZY, BURNING CANDLES, MAKING LOVE ALL NIGHTFEEL SO STRANGE, IT FEELS SO CRAZY TO BE IN YOUR WORLDIN YOUR ARMS LOST FOR WORDS YOU'VE GOT ME, YOU'VE GOT ME, YOU'VE GOT MEYOU'VE GOT ME, YOU'VE GOT MEYOU’VE GOT ME SPEECHLESSYES, YES, YES, YES, YES, YESSPEECHLESSALL I CAN SAY IS…YES, YES, YES, ALL I CAN SAY IS…YES, YES, YES, BEYONCÉ KNOWLES, ANDREAO HEARD, SHERROD BARNES, ANGELA BEYINCEBEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. USED COURTESY OF STAX RECORDS CONCORD MUSIC GROUP, INC. ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC. Matthew James Robertson, Craig John Roderick Harkness (Victoria's Flight) (Glasgow, Scotland) All My Love . FEATURES SAMPLE FROM THE LED ZEPPELIN RECORDING “WHEN THE LEVEE BREAKS,” PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY. I THOUGHT THAT THINGS LIKE THIS GET BETTER WITH TIME
BUT I STILL NEED YOU, WHY IS THAT
YOU’RE THE ONLY IMAGE IN MY MIND
SO I STILL SEE YOU, AROUND, I MISS YOU, LIKE EVERYDAY
WANNA BE WITH YOU, BUT YOU’RE AWAY
SAID I MISS YOU, MISSING YOU INSANE
BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME, THE WORDS DON’T EVER SEEM TO COME OUT RIGHT
BUT I STILL MEAN ’EM, WHY IS THAT
IT HURTS MY PRIDE TO TELL YOU HOW I FEEL
BUT I STILL NEED TO, WHY IS THAT, IT DON’T MATTER WHO YOU ARE
IT IS SO SIMPLE, A FEELING, BUT IT’S EVERYTHING
NO MATTER WHO YOU LOVE
IT IS SO SIMPLE, A FEELING, BUT IT’S EVERYTHING, WRITTEN BY FRANK OCEAN, SHEA TAYLOR AND BEYONCÉ KNOWLES PUBLISHED BY HEAVENS RESEARCH (BMI) / BUG MUSIC (BMI) ADMINISTERED BY BUG / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP), PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR, RECORDED BY JORDAN “DJ SWIVEL” YOUNG AT MSR STUDIOS, NYC ASSISTANT ENGINEER: GLORIA KABA MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD, I JUST WANNA SHOW YOU HOW MUCH I APPRECIATE YOU (YES)
WANNA SHOW YOU HOW MUCH I’M DEDICATED TO YOU (YES)
WANNA SHOW YOU HOW MUCH I WILL FOREVER BE TRUE (YES)
WANNA SHOW YOU HOW MUCH YOU GOT YOUR GIRL FEELING GOOD (OH YES), WANNA SHOW YOU HOW MUCH, HOW MUCH YOU’RE UNDERSTOOD (OH YES)
WANNA SHOW YOU HOW MUCH I VALUE WHAT YOU SAY
NOT ONLY ARE YOU LOYAL, YOU’RE PATIENT WITH ME BABE (OH YES)
I WANNA SHOW YOU HOW MUCH I REALLY CARE ABOUT YOUR HEART
I WANNA SHOW YOU HOW MUCH I HATE BEING APART (OH YES)
SHOW YA, SHOW YA, SHOW YA TILL YOU’RE THROUGH WITH ME
I WANNA KEEP IT HOW IT IS, SO YOU COULD NEVER SAY HOW IT USED TO BE, LOVING YOU, IS REALLY ALL THAT’S ON MY MIND
AND I CAN’T HELP BUT TO THINK ABOUT IT DAY AND NIGHT
I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH, TONIGHT I’M GONNA DANCE FOR YOU (OHHH)
TONIGHT I’M GONNA DANCE FOR YOU (OHHH)
TONIGHT I’M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME
AH, TONIGHT IT’S GOIN’ DOWN, I’LL BE ROCKIN’ ON MY BABE, ROCKIN’, ROCKIN’ ON MY BABE
SWIRLIN’ ON MY BABE, SWIRLIN’, SWIRLIN’ ON MY BABE
BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY
'CAUSE IT’S BOUT TO GO DOWN, YOU’LL NEVER NEED TWO, ’CAUSE I WILL BE YOUR NUMBER ONE
THEM OTHER CHICKS ARE SUPERFICIAL, GLAD I KNOW YOU KNOW I’M THE ONE
THAT’S WHY I’M ALL INTO YOU, ’CAUSE I CAN RECOGNIZE THAT YOU KNOW THAT
THAT’S WHY I’M BACKIN’ THIS THING BACK
POP, POPPIN’ THIS THING BACK, DROP, DROP, DROPPING THIS THING BACK, THIS IS FOR THE TIME YOU GAVE ME FLOWERS, FOR THE WORLD THAT IS OURS
FOR THE MOOLAH, FOR THE POWER OF LOVE
AND NO I WON’T NEVER, EVER, EH, EVER GIVE YOU UP
AND I WANNA SAY THANK YOU IN CASE I DON’T THANK YOU ENOUGH, A WOMAN IN THE STREET AND A FREAK IN THE YOU KNOW WHAT
SIT BACK, SIT BACK IT’S THE PRE-GAME SHOW, DADDY YOU KNOW WHAT’S UP, LOVING YOU, IS REALLY ALL THAT’S ON MY MIND
AND I CAN’T HELP BUT TO THINK ABOUT IT DAY AND NIGHT
I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH, TONIGHT I’M GONNA DANCE FOR YOU (OHHH)
TONIGHT I’M GONNA DANCE FOR YOU (OHHH)
TONIGHT I’M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME
AH, TONIGHT IT’S GOIN’ DOWN, I’LL BE ROCKIN’ ON MY BABE, ROCKIN’, ROCKIN’ ON MY BABE
I’LL BE SWIRLIN’ ON MY BABE, SWIRLIN’, SWIRLIN’ ON YOU BABE
BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY
’CAUSE IT’S ABOUT TO GO DOWN, I’M GONNA TAKE THIS TIME TO SHOW YOU HOW MUCH YOU MEAN TO ME
‘CAUSE YOU ARE ALL I NEED
NO MONEY CAN EMPHASIZE OR DESCRIBE THE LOVE THAT’S IN BETWEEN THE LINES
BOY LOOK INTO MY EYES, WHILE I’M GRINDING ON YOU, THIS IS BEYOND SEX, I’M HIGH ON YOU
IF IT’S REAL THEN YOU KNOW HOW I FEEL
ROCKIN’ ON YOU BABE, ROCKIN’, ROCKIN’ ON YOU BABE, SWIRLIN’ ON YOU BABE
IN MY MIND ALL I CAN THINK ABOUT IS A FRAME FOR OUR FUTURE AND THE PICTURES OF THE PAST
AND THE CHANCE TO MAKE THIS LOVE LAST, OHHH, I’LL BE ROCKIN’ ON MY BABE, ROCKIN’, ROCKIN’ ON MY BABE
I’LL BE SWIRLIN’ ON MY BABE, SWIRLIN’, SWIRLIN’ ON YOU BABE
I WANNA PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY
’CAUSE IT’S ABOUT TO GO DOWN, WATCH ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY
DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY
WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY
WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH, ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY
DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY
WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY
WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH, (OHHH….OHHH…..)
YES, YES, YES, OH YES, OH YES, YES, YES, OH YES, WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES
PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP), PRODUCED BY BEYONCÉ KNOWLES, TERIUS “THE-DREAM” NASH FOR RADIOKILLANATION.COM SINCE 1977 AND C. “TRICKY” STEWART FOR REDZONE ENTERTAINMENT, RECORDED BY BRIAN “B- LUV” THOMAS AND PAT THRALL AT TRIANGLE SOUND STUDIOS IN ATLANTA, GA, VOCALS RECORDED BY JORDAN “DJ SWIVEL” YOUNG AT MSR STUDIOS, NYC
ASSISTANT ENGINEERS: CHRIS SOPER, NICK BANNS, JASON SHERWOOD AND STEVEN DENNIS
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD
GUITARS BY MICHAEL THOMPSON
BASS BY ALEX A1, PROGRAMMING AND SEQUENCING BY TRICKY STEWART AND TERIUS “THE DREAM” NASH, I TOLD YOU HOW YOU HURT ME BABY, BUT YOU DON’T CARE
NOW I’M CRYING AND DESERTED BABY, BUT YOU DON’T CARE
AIN’T NOBODY TELL ME THIS IS LOVE, WHEN YOU’RE IMMUNE TO ALL MY PAIN
I NEED YOU TO TELL ME THIS IS LOVE, YOU DON’T CARE WELL THAT’S OK, WELL I CARE
I KNOW YOU DON’T CARE TOO MUCH
BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…, OH I CARE
I KNOW YOU DON’T CARE TOO MUCH
BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH, EVER SINCE YOU KNEW YOUR POWER, YOU MADE ME CRY
AND NOW EVERY TIME OUR LOVE GOES SOUR, YOU WON’T SYMPATHIZE
YOU SEE THESE TEARS FALLING DOWN TO MY EARS, I SWEAR YOU LIKE WHEN I’M IN PAIN
I TRY TO TELL YOU ALL MY FEARS, YOU STILL DON’T CARE, THAT’S OK, WELL I CARE
I KNOW YOU DON’T CARE TOO MUCH
BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…, BOY MAYBE IF YOU CARED ENOUGH, I WOULDN’T HAVE TO CARE SO MUCH
WHAT HAPPENED TO OUR TRUST, NOW YOU’RE JUST GIVIN’ UP
YOU USED TO BE SO IN LOVE, NOW YOU DON’T CARE NO MORE, OH I CARE
I KNOW YOU DON’T CARE TOO MUCH
BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH, I STILL CARE (LA, LA, LA….) a young boy, named Makmak ran away from home after his family had an altercation. However, she has been a victim of demonic possession. Magpakailanman (English: Forevermore) is a weekly drama anthology broadcast by GMA Network.The show is hosted by 24 Oras anchor and GMA Kapuso Foundation founder Mel Tiangco and features inspiring stories and life experiences from both famous and ordinary people. She's beautiful, she's rich and she has a very successful career, but despite of all these assets she have, Grace (Alice Dixson) remains single. Things changed when Chris met his teacher Jacob (Lucho Ayala) who happens to be Thelma's distant relative. Art's parents are also fond of Trixie, who by that time thinks that she is a real woman. Both of them loved each other. WORDS.TXT - Free ebook download as Text File (.txt), PDF File (.pdf) or read book online for free. What we run? But, he managed to run away in order for him to earn a living. Until, Teddy's mother disagrees to their relationship, because of Lorna's physical appearance. Beyoncé:I’m the only lady here, still the realest n---- in the roomI break the internet, top two and I ain’t number twoMy body, my ice, my cash, all real, I’m a triple threatF--- it up and then leave, come back, f--- it up and then leave againTop off the coupe and it look like FreaknikIn the hood, hollerin’ “Freek Meek”Two deep, it’s just me and JAYJust posted in them courtside seatsWoo! So Erwin decided to ease his pain by painting. But, Alodia's love and support urged him to fight. As a single parent, Zeny (Gina Alajar) has always been brave in facing the dilemmas of daily life in order to support and take good care of her son's education. BY EMI APRIL MUSIC, INC. (ASCAP), PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC, RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC STUDIOS, NEW YORK, NY ADDITIONAL VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC, NEW YORK, NYALL INSTRUMENTS BY MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN STARGATE MANAGEMENT TIM BLACKSMITH AND DANNY DMIXED BY MARK “SPIKE” STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA, SHE WAS LOST IN SO MANY DIFFERENT WAYSOUT IN THE DARKNESS WITH NO GUIDEI KNOW THE COST OF A LOSING HANDNEVER FOR THE GRACE OF GOD, OH I, I FOUND HEAVEN ON EARTH YOU ARE MY LAST MY FIRST AND THEN I HEAR THIS VOICE INSIDEAVE MARIA, I’VE BEEN ALONEWHEN I’M SURROUNDED BY FRIENDSHOW COULD THE SILENCE BE SO LOUDBUT I STILL GO ON, KNOWING THAT I’VE GOT YOUTHERE’S ONLY US WHEN THE LIGHTS GO DOWN, YOU ARE MY HEAVEN ON EARTH YOU ARE MY HUNGER MY THIRSTI ALWAYS HEAR THIS VOICE INSIDE SAYING AVE MARIA, SOMETIMES LOVE CAN COME AND PASS YOU BYWHILE YOU’RE BUSY MAKING PLANSSUDDENLY HITS YOU AND THEN YOU REALIZEIT’S OUT OF YOUR HANDSBABY YOU GOT TO UNDERSTAND, YOU ARE MY HEAVEN ON EARTH YOU ARE MY LAST MY FIRST AND THEN I HEAR THIS VOICE INSIDE AVE MARIA, AVE MARIA, AVE MARIA, WRITTEN BY BEYONCÉ KNOWLES, AMANDA GHOST, IAN DENCH, MAKEBA, MIKKEL S. ERIKSEN, TOR ERIK HERMANSENB-DAY PUBLISHING ADMIN. However, when he received the money, he only received 3.9 Million Pesos. A StarStruck season 7 avenger Jeremy (Miguel Tanfelix) was adopted by a gay beautician Pepito (Cris Villanueva) after his father abandoned him and his siblings. Being the son of Von Serna and Mila Ocampo (Gloria Diaz), she rose to stardom. However, they will suffer COVID-19 in the country with the most number of cases in the world. This banner text can have markup.. web; books; video; audio; software; images; Toggle navigation COURTESY OF UBIQUITY RECORDS. However, things changed when their son Earl, who was only 2 years old disappeared without a trace. Bonita who was only 17 years old when she worked as a housemaid. COURTESY OF DOWNTOWN RECORDS, LLC AND INTERSCOPE RECORDS, UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. Christopher, a tough man would found himself as gay. For many people, the saying "The more, the merrier" is a statement for them. He found love in the person of Helen, a beautiful young student. So Erwin decided to ease his pain by painting. (Gather the Troops! However, she was deeply hurt by Adrian. RECORDED BY GURU AT BASELINE STUDIOS, NYC MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTOR, NYCASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ CONTAINS RESUNG LYRICS FROM “I LIKE IT” WRITTEN BY RANDY DEBARGE, ELDRA DEBARGE, ETTERLENE JORDAN AND PUBLISHED BY JOBETE MUSIC (ASCAP)USED BY PERMISSION. Also known as*sings* If I were a Boy. BY THE ROYALTY NETWORK, B-DAY PUBLISHING ADMIN. Her luck changed when she won a jackpot prize in the lottery several times. BY EMI APRIL MUSIC, INC. (ASCAP), RECORDED BY MILES WALKER FOR MILK MONEY, ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA, PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GAVOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NYMIXED BY MARK “SPIKE” STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA, OHH…I LOVE TO SEE YOU WALK INTO THE ROOMBODY’S SHINING, LIGHTING UP THE PLACEAND WHEN YOU TALK, EVERYBODY STOP ‘CAUSE THEY KNOW, YOU KNOW JUST WHAT TO SAYTHE WAY THAT YOU PROTECT YOUR FRIENDS BABY I RESPECT YOU FOR THAT WHEN YOU GROW, YOU TAKE EVERYONE YOU LOVE ALONGI LOVE THAT, DON’T FLY ME AWAY DON’T NEED TO BUY A DIAMOND KEY TO UNLOCK MY HEARTYOU SHELTER MY SOUL YOU’RE MY FIRE WHEN I’M COLDI WANT YOU TO KNOW, YOU HAD ME AT HELLO (HELLO) HELLO (HELLO), HELLO (HELLO)YOU HAD ME AT HELLO (HELLO)HELLO (HELLO), HELLO (HELLO)IT WAS MANY YEARS AGO BABY WHEN YOU, STOLE MY COOL‘CAUSE YOU HAD ME AT HELLO (HELLO)HELLO (HELLO), HELLO (HELLO), I GET SO EXCITED WHEN YOU TRAVEL WITH ME BABY WHILE I’M ON MY GRINDAND NEVER WOULD I EVER LET MY HUSTLE COME BETWEEN ME AND MY FAMILY TIME ANDYOU KEEP ME HUMBLE OUT OF THIS HYPE‘CAUSE YOU KNOW THERE’S MORE TO LIFE AND IF I NEED YOU, YOU WOULD BE HERE YOU WOULD MAKE THE SACRIFICE, GOTTA FEEL YOU AND BE NEAR YOUYOU’RE THE AIR THAT I BREATHE TO SURVIVEGOTTA HOLD YOUWANNA SHOW YOU THAT WITHOUT YOU MY SUN DOESN’T SHINEYOU DON’T HAVE TO TRY SO, HARD FOR ME TO LOVE YOU BOY WITHOUT YOU MY LIFE JUST AIN’T THE SAMEYOU DON’T HAVE TO TRY SO, HARD FOR ME TO LOVE YOU, YOU HAD ME AT HELLO (HELLO) HELLO (HELLO), HELLO (HELLO)YOU HAD ME AT HELLO (HELLO)HELLO (HELLO), HELLO (HELLO)IT WAS MANY YEARS AGO WHEN YOU, STOLE MY COOLYOU HAD ME AT HELLO (HELLO)HELLO (HELLO), HELLO (HELLO), IT WAS MANY YEARS AGOBABY WHEN YOU, STOLE MY COOLYOU HAD ME AT HELLO, HELLO, HELLO, WRITTEN BY BEYONCÉ KNOWLES, RAMON OWEN, DAVID QUINONES, E. KIDD BOGARTPUBLISHED BY B-DAY PUBLISHING ADMIN. However, when she learns that they had to pay bigger for the treatment, Emily steals the money from the safe of the lending company she is working at. He tries to have her again after the escape only to be punched by Lorie's brother, as Lorie yells at him angrily to leave, defeating the evil, delusional and possessive Dexter for good. PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÈ, BURT BACHARACH, JAHRON BRATHWAITE, INGRID BURLEY, SHAWN C. CARTER, HAL DAVID, FLOYD NATHANIEL HILLS, KHALED KHALED, IAN DENCH, MIKKEL ERIKSEN, AMANDA GHOST, TOR HERMANSEN, MAKEBA RIDDICK , CHAD HUGO, AND PHARRELL L. WILLIAMS / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP) BMG RIGHTS MANAGEMENT (UK) LTD (HAL DAVID) (ASCAP), CARTER BOYS MUSIC (ASCAP) , JA PUBLISHING GROUP INC (ASCAP), LOVE VIVIAN MUSIC (ASCAP), NEW HIDDEN VALLEY MUSIC CO (ASCAP), SONGS OF FUJIMUSIC (ASCAP),SONY/ATV ALLEGRO (ASCAP),BMG PLATINUM SONGS US (BMI), GIVE THANKS PUBLISHING (BMI), BC JEAN PUBLISHING (BMI), SONGS OF UNIVERSAL INC (BMI), BMG RUBY SONGS, GAD SONGS, LIEDELA MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), SONY/ATV MUSIC PUBLISHING (UK) LIMITED (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), JANICE COMBS MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), YOGA FLAMES PUBLISHING (BMI), EMI BLACKWOOD MUSIC INC (BMI) AND EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR), I may be young, but I'm readyTo give you all my loveI told my girls you can get itDon't slow it down, just let it go, So in loveI'll give it all awayJust don't tell nobody tomorrowSo tonight,I'll do it every waySpeakers knockin' til the morning light, Cause we like to party hey, hey, hey, hey, hey, heyCause we like to party hey, hey, hey, hey, hey, heyCause we like to party, You a bad girl and your friends bad too, ohWe got the swag sauce, she drippin' swaguYou a bad girl and your friends bad too, ohWe got the swag sauce, she drippin' swagu, Outro: BeyoncéAs a black womanI used to feel like the world wanted me to stay in my little boxAnd black women often feel underestimated I wanted us to feel proud of not only the show but the processProud of the struggleThankful for the beauty that comes with a painful history and rejoice in the painRejoice in the imperfections and the wrongs that are so damn rightAnd I wanted everyone to be grateful for their curves , their sas, their honestyThankful for their freedom, PERFORMED BY BEYONCÉ / WRITTEN BY ANDRÉ BENJAMIN, JEFFREY BHASKER, DOUGLAS DAVIS, BEYONCÉ, DEXTER MILLS, RICKY WALTERS AND KANYE WEST / PUBLISHED BY WEDONTPLAYEVENWHENWEREPLAYING SONGS LLC (ASCAP), BMG MONARCH (ASCAP), EMI APRIL MUSIC INC (ASCAP), WAY ABOVE MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), GET YA FROG ON PUBLISHING (BMI), ULTRA EMPIRE MUSIC (BMI), ENTERTAINING MUSIC (BMI), EMI BLACKWOOD MUSIC INC (BMI), SONY/ATV SONGS LLC (BMI) AND PLEASE GIMME MY PUBLISHING INC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE, Who the f--- do you think i isYou ain’t married to no average b---- boyYou can watch my fat a-- twist boyAs I bounce to the next d--- boy, And keep your moneyI got my ownKeep a bigger smile on my faceBeing aloneBad mutha f---erGod complexI motivate your a--call me malcolm xYour operatorInnovatorF--- you haterYou can’t recreate her noYou’ll never recreate her no, You just gotta let it be let it be let it be let it be baby, You just gotta let it belet it be let it be let it be baby, When you play me, you play yourselfDon’t play yourselfWhen you lie to me, you lie to yourselfYou only lying to yourselfWhen you hurt me, you hurt yourselfDon’t hurt yourself, You just gotta let it belet it be let it be let it be let it be baby, Who the f--- do you think I isI smell that fragrance on your louis knit boyJust give my fat a--a big kiss boyTonight i’m f------ up all your s---- boy, The most disrespected person in America is the black womanI am the dragon breathing fireThe most unprotected person in America is the black womanBeautiful mane I'm the lionThe most neglected person in America is the black woman.Beautiful man I know you're lying, This is your final warningYou know I give you lifeIf you try this shit again You gonna lose your wife, PERFORMED BY BEYONCÉ / WRITTEN BY JACK WHITE, BEYONCÉ, DIANA GORDON, JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM
PUBLISHED BY THIRD STRING TUNES (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP); ALL RIGHTS ADMINISTERED OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., FLAMES OF ALBION MUSIC, INC. (ASCAP). * - Main goods are marked with red color . BLUE IVY, ***Flawless (feat. He gave her P 1 million cash that became an instant online hit.
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